Widespread tributes are pouring in for the legendary Bahram Beyzai, a colossus of Iranian cinema and theatre, who passed away at the age of 87 in the US.
The headlines of publications in Iran lament his loss, with dissenting figures and those who look back fondly on the Shah era also offering their respects to Beyzai.
"This loss is a great loss for the art and culture of our country," said Prince Reza Pahlavi, son of the last Shah of Iran.
Although Beyzai's later films were banned in the 1980s by the theocratic government, a number of prominent officials in the present administration have also paid tribute his contribution to Iranian culture.
Several of the current crop of Persian directors have expressed their gratitude to him. Award-winning director Jaafar Panahi said that Beyzai showed them "how to stand up to oblivion."
Beyzai steered clear of overtly political content in his work, both as a playwright and a cinematic auteur, and always said he tried not to deal in overt messages.
But his work over many decades places archetypal characters in opposition with authoritarian structures of power.
From a family of celebrated poets, Beyzai was imbued in the deepest traditions of Persian culture from birth.
He first found fame as a theater writer, inspired by ancient myths and ceremonies.
A devotee of cinema, he transitioned to filmmaking in the 1970s.
He gained acclaim as one of the key figures in the groundbreaking movement of Iranian cinema.
His most productive period spanned the time of the Shah and then the revolutionary government that overthrew him—with both systems constantly poised to detect subtext that could be seen as dissent.
"Beyzai never opted for the path of least resistance. He withstood years of exclusion, enforced quiet, and distance, but he never abandoned his language and his convictions," said Jaafar Panahi in his tribute.
A few years after the 1979 Revolution, he produced what many consider his masterpiece, Bashu, the Little Stranger, about a small boy who tries to take refuge from the Iran-Iraq war.
It was censored in Iran—as were subsequent works he made in that period—but later voted by critics as the greatest Iranian film of all time.
The film was shown in a restored version at this year's Venice Film Festival, receiving an award for best film in the heritage category.
Beyzai finally left Iran in 2010 and lived out his final days in the US, where he lectured on Persian studies.
Although he went into exile, his wife, the actress Shamsai, said just hearing the word "Iran" would still bring tears to his eyes—and he remained ever hopeful for a renewed spirit and future for his native land.
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