Esteemed author Paul Bailey, who passed away last year at 87, was celebrated for possessing a comic brilliance, profound compassion even for his most flawed characters, and a cleverness that never felt cold. His fiction often explored the influence of recollections on human existence, fueled by sharp, rhythmic dialogue. Beyond novels, he also excelled as an autobiographer, verse writer, and other capacities—here is a guide to the books he left behind.
Bailey was an outgoing person, a master conversationalist with a love for “trivial chit-chat”, as one character notes. He and friend fellow writer Beryl Bainbridge used to view the TV show Coronation Street and analyze it telephonically. This pleasure in chatty conversations shines through in his novels the novel Trespasses (1970) along with Peter Smart’s Confessions (released in 1977). Both feature a central male figure besieged by humorous, irritating, exaggerated personalities, often close relatives whose gravitational pull is unavoidable. “Who wants to be normal anyway?” Ralph’s mum questions in Trespasses when he reveals he is gay. Like an evening with your wittiest, boldest friend.
Paul Bailey authored superbly on old age, at both ends of his writing journey. His first book At the Jerusalem (from 1967) traces Faith Gadny’s experiences during her transition to an old people’s residence, where other occupants provide kindness lacking from staff, whose engagement through questions “Why not view the TV, ladies?”. In the novel before his final the title Chapman’s Odyssey (2011), a senior in hospital alternates between clashing with physicians (“I only drink superior wines”, he states when scolded for liver results) and confronting past remembrances of his mother, lovers, literary figures like Dickens’s Pip to Austen’s Emma. Both books are filled with humorous dialogues yet shadowed by the inevitable conclusion. Throughout his novels, laughter is suspect. In At the Jerusalem, “the matron grinned, then ended it abruptly”; The character giggles with unease upon challenge to her conduct. Within Chapman’s Odyssey, Harry cautions that “my laughter is not genuine”. Your laughter, nonetheless, is sincere.
Besides novels, The author excelled as a skilled autobiographer, releasing two self-written volumes. An Immaculate Mistake (1990) is a masterwork of reminiscence, its name coming from his mum’s statement calling him “our error” and saying he shouldn’t exist. (“Aged, she was releasing her confidences,” he notes. “She understood this would captivate me.”) This book reveals the roots of misguided, loving, frustrating parents within his fiction. It likewise portrays a beautiful image of a homosexual young man in that era, when homosexuality was illegal, and his family found it odd for a boy to buy his mother flowers; and of a hopeful performer (Paul Bailey performed prior to authoring) who could recite Hamlet as a teen. His second memoir A Dog’s Life (from 2004) focuses on life with his mongrel puppy Circe, his ex-partner David, his love for Romania—which inspired subsequent books such as the novel Kitty and Virgil, the title Uncle Rudolf, as well as the book The Prince’s Boy—and heaps of rumors, including a tale regarding Iris Murdoch calling an audience member an “idiot”.
Paul Bailey’s books tend to be short—the impactful Old Soldiers (published in 1980) is under 100 pages—but for something shorter, explore his poems in his final phase. The pair of volumes Inheritance (published in 2019) along with Joie de Vivre (released in 2022) display his cleverness, sympathy, exactness in brief format. These writings are rich with mortality and existence. Two affectionate topics reappear: regarding his mum (“Now I’m closer—/ I have to say—/ than in life”) and for his spouse Jeremy Trevathan. In that piece, he writes of the pleasure in “watching an idiotic TV entertainment” together, concluding with: “It’s remarkable, this simple act of consuming cheese and wine as darkness falls.”
There is little debate that Bailey’s most ambitious novel was the novel Gabriel’s Lament, nominated for the Booker in 1986. (He served as a judge for the award in 1982, a task he hated.) This was the book Paul Bailey valued most, even though “it exhausted him completely”. It follows the narrative of Gabriel Harvey, whose mum disappears and a father who becomes a intolerable pretentious person following a financial windfall, and the two might be related. It’s a depiction of 20th-century London, a tale of emotional unraveling, and as funny and sad as anything Bailey wrote. Additionally, it prompted a sequel, Sugar Cane (from 1993), which Bailey researched by going to such places to watch.
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